BAERTSOEN, ALBERT (1866-1922):
Linderlei [Ghent] vu de ma fenêtre

Etching and drypoint. Eeckhout 164, proof before reduction of the plate and before letters

BARTH, Friedrich (1877 – 1937):
Head of a Young Man

Drypoint and etching

BESNARD, Albert (1849-1934):
La robe de soie

Etching and aquatint, 1877. Delteil 66, third state of three. Signed in pencil.
Edition 100

BESNARD, Albert (1849-1934):
Study of a Blond Girl

Etching with touches of drypoint, 1880. Godefroy/Delteil 9,
third state of three

BONE, Sir David Muirhead (1876-1953):
Windy Night, Stockholm

Drypoint, 1935. Dodgson 457, tenth state of ten.
Signed in pencil

BRESDIN, Rodolphe (1822-85):
L’Armée romaine

Etching, 1856-66. Van Gelder 87, second state of four; Préaud 112
fourth state of six. As printed on chine appliqué by Delâtre for
La Revue fantaisiste in 1861.

CHAHINE, Edgar (1874-1947):
La Promenade

Etching, aquatint and dry-point, 1902. Tabanelli 92, only state.
Signed in pencil. Edition 50 in black-and-white, another 50 in colour

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CHAHINE, Edgar (1874-1947):
Mademoiselle Souty

Drypoint, 1917. Tabanelli 335, third state after erasure of the remarque which is added in the second state. Signed in pencil and dedicated “à …respectueusement”

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DAUBIGNY, Charles-François (1817-78):
Les vendages (Souvenir de Morvan)

Etching. Melot D117, third state of five. With the blind-stamp of Cadart and Luquet, as published by the Société des Aquafortistes

DAUMIER, Honoré (1808-79):
Le Gout, L’ouie, and Le Toucher, from Les Cinq Sens, three out of the set of five

Lithographs, 1839. Two in the rare first edition as prepared for La Caricature (here sur blanc) with the original heading, as above, the third with the third state heading Types Parisiens . Delteil 596 II/IV, 597 II/III, 598 III/IV

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DE LATENAY, Gaston (1859-c.1940):
La passerelle (Escaut)

Etching with drypoint. Signed and titled in pencil, numbered 3/50

DELCOURT, Maurice (1877-1916):
Place St-Georges

Colour woodcut printed from at least four blocks, 1899. I.F.F. 5, one of four trial proofs on japan, annotated “Epreuve d’essai sur japon ancien” in pencil, and bearing the stamp of L’estampe nouvelle.

DESBOUTIN, Marcellin (1823-1902):
Madame Bouquet de la Grye de profil à droite

Drypoint, 1879. Clément-Janin 18, second state with the armchair sketched only. Dedicated to the sitter in pencil

DEVERIA, Achille (1800-57):
« On n’entre pas », an insert over another scene, « Fermez donc la porte, Justine! »

Lithograph, no. 10, from La Caricature, 4 November 1830. Beatrice Farwell, The Charged Image, 1989, no. 56.

DODD, Francis (1874-1949):
The Garden Door (portrait of Isabel Dacre in mourning dress)

Etching and drypoint on Japanese laid paper, 1909. Schwabe 44.
Signed in pencil

DORÉ, Gustav (1832-83) :
A Cleric attacked by three Men and a Dog

Original box-wood block for a wood-engraved illustration